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I was born in the coastal town of Undalup (Busselton), which is situated in the Southwest of Western Australia. I am from the Wardandi/Bibbulman Noongar Community on my mother's side and from the Ballardong Noongar Community on my father's side. My totem spirit animal, is the Blue-tongue Lizard, known in my local dialect as Yoorn and my Artist-name Djarliny translates from Noongar to English as flame.
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Painting has offered me a powerful way to express my experiences and has given me an instrument to use colour to conquer my emotions and explore connections.
Painting fuels my ability to shatter my own limits, to discover, to innovate and to grasp numerous intricate situations and strive to find solace in overcoming them. My journey is to forge my own path, breaking free from limitations and to strive to transcend the confines of societal and cultural expectations.
I choose to craft my own unique narrative and I dare to explore issues and concepts that lie beyond the confines of the cultural box I am expected to conform to. By means of art, I am enabled to release my voice, to broaden my horizons, to unravel the enigmas within and around me. While I take pride in my identity and culture, I know first-hand that many voices go unheard within our community.
I was one of the silenced voices, but not anymore.
The Noongar Seasons have always been a-part of Aboriginal life and like time itself, the Six Noongar Seasons represent a predictable timetable of foreseeable events. Acknowledgement that nothing is unconnected, and each change is being influenced by the last. Animals, insects and Noongar people have always relied on this process, moving across the land directed by the weather and location of available foods. Plants flower at the same times of year, bearing fruit and reproducing according to this endless cycle. Recognising this beautiful connection and understanding the synchronicity of all these events that happen simultaneously gives us the knowledge to know what to do and when it needs to happen. Each small change is in direct response to another, and this symbolic interconnection is essential to maintain the eco cycle we all depend on for life. To understand the specific indicators of the Seasonal Calendar, unique to land, is to read nature itself who will always provide us with the knowledge that has guided Aboriginal people for thousands of years.
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